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Fall Colors
Prime Time Diversity Report 2001-2002

Fall Colors: Prime Time Diversity Report - 2002
This 48-page study finds broadcast networks have made minimal
progress in presenting a more diverse prime time picture, despite
stated commitments for greater on-screen diversity.
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Introduction
Television, particularly prime time programming, occupies a central
position in our culture as a storyteller, conveying much about what
is normal, acceptable and expected, as well as what is irrelevant
and outside of the mainstream. It also possesses a unique opportunity
to shape the perceptions and opinions of millions. The 2000 Census
has revealed not only rapid changes in the racial and ethnic diversity
of the United States but also new emerging characteristics of marriage,
family, the workforce and class status. Inarguably, these changes
have implications for the well-being of young people today and in
the years ahead. In any discussion of how we prepare young people
for the challenges they will face in the coming years, we must take
into account the narrative that television presents to us about
ourselves.
What story does prime time television tell our youth about diversity
and tolerance through its portrayals and non-portrayals of race,
gender and class? Can it better serve both the developmental needs
and aesthetic desires of our nation's young people? What kinds of
opportunities does and can it provide for cross-cultural learning?
Children Now's previous research has demonstrated that youth recognize
the role media play in providing lessons about diversity and in
validating diverse communities. Children Now's current research
shows that despite ongoing emphasis, encouragement and pressure
on the part of media advocates, civil rights groups, government
officials and even some entertainment industry leaders, the networks
have yet to produce a prime time season that is representative of
the diversity that young people experience and will undoubtedly
continue to experience as maturing adults.
"Fall Colors 2001-02" documents the television industry's progress
on diversity and serves as a tool to help executives, writers and
producers improve the images of race, class and gender on prime
time television. It is the most comprehensive study to date of prime
time diversity.
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